The main objective of this paper is to explore, by the means of cultural studies which is a theoretical approach avowedly and even radically interdisciplinary, the many instances in the novels of Louise Erdrich in which the author seems to be creating interconnectedness between cultures rather than emphasizing the dividing lines. Indeed, based on the assumptions of biculturalism and cross-culturalism, the works of Louise Erdrich aim at discussing how the writer succeeds in connecting the cultures of the white and the Ojibwe formerly presented as antagonistic. In this perspective, our work addresses the questions of the transgression of the boundaries between western and Native Americans’ values, beliefs and culture through the depiction of the experiences of several characters with mixed identities.
References
[1]
Beidler, P. G. & Barton, G. (1999). A Reader’s Guide to the Novels of Louise Erdrich (p. 235). University of Missouri Press.
[2]
Bhabha, K. H. (1994). The Location of Culture (p. 216). Routledge.
[3]
Erdrich, L. (1988). Tracks. (1st ed.) Henry Holt.
[4]
Erdrich, L. (1993). Love Medicine. Harper Perennial.
[5]
Erdrich, L. (2001). The Last Report on the Miracles at Little No Horse. Harper Collins.
[6]
Erdrich, L. (2012). The Round House. Harper Collins.
[7]
Georgi-Findlay, B. (1998). The Frontiers of Women's Writing: Women's Narratives and the Rhetoric of Westward Expansion. Western American Literature.
[8]
Harper, M. C. (2012). Figuring the Grotesque in Louise Erdrich’s Novels: Of Ojibwe Play, Modernist Form, and the Romantic Sensibility. Studies in American Indian Literatures, 24, 17-38. https://doi.org/10.5250/studamerindilite.24.2.0017
[9]
Howard, H. W. (2000). Chippewa and Catholic Beliefs in the Work of Louise Erdrich. Logos: A Journal of Catholic Thought and Culture, 3, 110-123. https://doi.org/10.1353/log.2000.0047
[10]
Lysik, J. M. (2017). Dialogism or Interconnectedness in the Work of Louise Erdrich (pp. 130-131). Cambridge Scholars Publishing.
[11]
Rosenthal, C. (2003). Narrative Deconstructions of Gender in Works by Audrey Thomas, Daphne Marlatt, and Louise Erdrich. Camden House.
[12]
Sanders, K. (1998). A Healthy Balance: Religion, Identity, and Community in Erdrich’s Love Medicine. MELUS, 23, 129-156. https://doi.org/10.2307/468016
[13]
Smith, J. R. (1991). Transpersonal Selfhood: the boundaries of identity in Louise Erdrich’s Love Medicine. Studies in American Indian Literatures, 3, 13-26.
[14]
Stookey, L. L. (1999). Louise Erdrich: A Critical Companion (Critical Companions to Popular Contemporary Writers). Bloomsbury Publishing PLC.
