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中国传统“鹤文化”的艺术表征与审美心理
The Artistic Representation and Aesthetic Psychology of Chinese Traditional “Crane Culture”

DOI: 10.12677/AP.2024.141002, PP. 8-13

Keywords: 传统文化,艺术表征,审美心理,继承传播
Traditional Culture
, Artistic Representation, Aesthetic Psychology, Inheritance and Dissemination

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Abstract:

本文通过对鹤的形象、象征意义、文化内涵以及审美心理的深入剖析,揭示其在中国传统文化中的重要地位。鹤作为一种文化符号,代表了吉祥、长寿、高雅等寓意,体现了中国传统文化中对纯洁、高尚、美好生活的向往。同时,从艺术表征的角度来看,鹤的形象通过绘画、雕塑、建筑等多种艺术形式得以呈现,成为了中国传统文化的重要象征之一。而审美心理的生成则与文化背景、社会环境、个人经验等多种因素密切相关,对于理解中国传统“鹤文化”的内涵与传承具有重要意义。
This article reveals the important position of cranes in traditional Chinese culture through in-depth analysis of their image, symbolic significance, cultural connotations, and aesthetic psychology. Crane, as a cultural symbol, represents auspicious, longevity, and elegance, reflecting the longing for purity, nobility, and a beautiful life in traditional Chinese culture. At the same time, from the perspective of artistic representation, the image of the crane is presented through various artistic forms such as painting, sculpture, and architecture, becoming one of the important symbols of traditional Chinese culture. The generation of aesthetic psychology is closely related to various factors such as cultural background, social environment, and personal experience, which is of great significance for under-standing the connotation and inheritance of traditional Chinese “crane culture”.

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