后现代主义特征在国产动画电影中的设计运用研究
Research on the Design and Application of Postmodernism Features in Domestic Animated Films

目的：本研究旨在深入探讨中国当代动画电影中后现代主义特征的具体呈现，以深化对其在当代文化语境和创作理念中的重要性的理解。同时，我们旨在探讨动画电影作为一种视觉艺术形式如何通过后现代主义的审美和思想框架来探讨社会议题。方法：为实现研究目标，本文采用了文本分析、批评理论、文化研究等多种方法，系统性地研究后现代特征的在国产动画电影中的设计运用具体表现，重点关注中国当代动画电影中挪用与重构、女性主义表达以及戏仿与拼贴等元素的设计应用，并通过实际案例分析呈现研究结果，探讨它们在动画创作中的应用和影响。结果：通过深入研究发现中国当代动画电影中的后现代特征显著，具体表现为对传统元素的重新诠释与重构，女性主义思想的独特呈现，以及戏仿与拼贴等后现代元素的广泛运用。这一多元化的设计运用为动画作品增加了更深刻的文化内涵，同时也为其提供了更丰富的层次与意义，用以探讨和反思当代社会议题。结论：中国当代动画电影在后现代特征的引导下，不仅拓宽了设计创作领域，还为中国文化的传播和自信树立提供了有力支持。本研究为促进国产动画电影的创新发展和文化自信建设提供了深刻洞见，同时也为动画领域的深入研究和探讨提供了有价值的学术参考，进一步拓展了我们对动画电影与后现代主义之间关系的理解。
Objective: This study aims to deeply explore the specific presentation of postmodernism features in contemporary Chinese animated films in order to deepen the understanding of its importance in contemporary cultural context and creative ideas. At the same time, we aim to explore how animated films as a visual art form can explore social issues through the aesthetic and ideological framework of postmodernism. Method: In order to achieve the research goal, this paper adopts various methods such as text analysis, critical theory and cultural research to systematically study the design and application of postmodern features in domestic animated films, focusing on the design and application of elements such as appropriation and reconstruction, feminist expression, parody and collage in contemporary Chinese animated films, and presents the research results through actual case analysis. To explore their application and influence in the creation of animation. Results: Through in-depth research, it is found that the postmodern features in contemporary Chinese animated films are significant, which are embodied in the reinterpretation and reconstruction of traditional elements, the unique presentation of feminist thoughts, and the extensive application of postmodern elements such as parody and collage. This diversified design application adds a deeper cultural connotation to the animation works, and also provides a richer level and meaning for the exploration and reflection of contemporary social issues. Conclusion: Under the guidance of postmodern characteristics, Chinese contemporary animated films not only broaden the field of design and creation, but also provide strong support for the dissemination of Chinese culture and the building of self-confidence. This study provides a profound insight for promoting the innovation and development of Chinese animated films and the construction of cultural self-confidence, and also provides a valuable academic reference for the in-depth research and discussion in the field of animation, and