论张秀亚中西文化间的自然书写
On Zhang Xiuya’s Natural Writing between Chinese and Western Cultures

自然书写贯穿了张秀亚文学创作始终，中国传统文化与西方文化两种不同的自然观念在张秀亚笔下交织、融合，作为描写对象自然也在不断改变。在中国传统文化中，神话故事的产生源于先祖对自然的敬畏，老子的“道法自然”是认识自然规律的观念体现，强调顺应自然，董仲舒的“天人合一”则是表现人与自然和谐相处。在西方的创世故事中，自然属于被创造的产物，万物产生、生长与死亡的背后蕴藏着造物的规律。张秀亚的自然书写在对自然的歌颂中充满着对造物主的感恩情怀。张秀亚继承古代文化写景与抒情结合的方式，但又因西方特殊的自然观念影响而与传统的描摹自然之间有着明显的区别，从而表现出其特有的自然书写方式。
Nature writing runs through Zhang Xiuya’s literary creation. The two different ideas of nature in traditional Chinese culture and Western culture are interwoven and integrated in Zhang Xiuya’s works, and the nature as the object of description is constantly changing. In traditional Chinese culture, the origin of fairy tales is the ancestor’s reverence for nature. Laozi’s “Follow the Dao of Nature” is the concept of understanding the laws of nature and emphasizing conformity to nature, while Dong Zhongshu’s “harmony between man and nature” is the expression of harmony between man and nature. In western creation stories, nature is a created product, and the laws of creation lie behind the emergence, growth and death of all things. Zhang Xiuya’s nature writing is full of gratitude to the creator in the praise of nature. Zhang Xiuya inherited the combination of landscape painting and lyric expression in ancient culture, but because of the influence of the western special concept of nature, there is a clear difference between Zhang Xiuya and the traditional description of nature, so as to show his unique way of natural writing.