皮尔斯三分法视域下探析八大山人画作《荷石水禽图》
An Analysis of Bada Shanren’s Painting “Lotus Waterfowl” from the Perspective of Pearce’s Three-Part Method

中国艺术史上，八大山人无疑是举足轻重的艺术家，其以个性独特的风格与深邃的内涵赢得了后世赞誉。皮尔斯的三分法作为一种思考方法，为艺术研究提供了全新的视角。本文旨在运用皮尔斯三分法视域，对八大山人画作进行深入分析。以阐明这一方法论的核心概念为起点，将三分法与八大山人艺术创作进行联系，进而以皮尔斯三分法探析八大画作《荷石水禽图》，从而探究皮尔斯三分法理论对八大抒情创作中多元表达的影响与体现。
In the history of Chinese art, Bada Shanren is undoubtedly an important artist, who has won praise from later generations with his unique style and profound connotation. As a thinking method, Pierce’s rule of thirds provides a new perspective for art research. The purpose of this paper is to make an in-depth analysis of Bada Shanren’s paintings by using the perspective of Pierce’s three- point method. Starting from clarifying the core concept of this methodology, this paper links the rule of thirds with the artistic creation of Bada Shanren, and then explores the influence and embodiment of the rule of thirds on the eight paintings “Lotus Waterfowl” by Peirce’s rule of thirds.