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存在主义视角下《琐事》中的“自欺”
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Abstract:
本文通过存在主义的视角，力求揭露剧中隐藏的存在主义危机。本文将米妮？赖特(Minnie Wright)之前歌唱活泼的自我视为她的“主动成为”，“自为存在”，而她现在的主妇状态则被视为“自在存在”。而她看起来很成功的通过杀死她的丈夫来实现的“主动成为”最终被证明是欺骗性的，虚假的，她对“围裙”的需求地暴露了她的“自欺”。
Through the lens of Existentialism, this paper strives to lay bare the hidden existential crisis in the play. This paper sees Minnie Wright’s prior singing lively self as her Becoming, the Pour-soi and her current housewifing as the En-soi being. And her apparently successful attempt at Be-coming (killing her husband) only proves deceiving, and her request for her apron bitterly be-trays her Bad Faith.
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| [2] | Sartre, J.-P. (2011) Being and Nothingness. Philosophical Library, Colorado. |
| [3] | Susan, G. (1987) Plays. In Bigs, C.W.E., Ed., Cambridge University Press, Cam-bridge. |
| [4] | 李晶. 美国剧作家苏珊？格拉斯佩尔国内外研究述评[J]. 四川师范大学学报(社会科学版), 2011, 38(6): 125-129.
https://doi.org/10.13734/j.cnki.1000-5315.2011.06.006 |
