解构母性神话——《玫瑰门》中的母性观
Deconstructing the Myth of Motherhood—The View of Motherhood in “Rose Gate”

男权社会赋予“母性”以无私、奉献、利他、纯洁的含义，以波伏娃为代表的女性主义对这一天使般的母亲形象进行质疑，从大量女性实际的处境出发，澄清母性其实是一种自恋、利他、真诚、欺骗等的混合。传统男权社会之所以构建如此光辉的母亲形象，是为了巩固并延续女性的附属地位。作家铁凝在《玫瑰门》中塑造了文学史上著名的“恶母”形象司猗纹，这一角色身上所表现出来的特质大大偏离了传统母亲的形象。本文以波伏娃的女性主义为理论武器，对司猗纹这一人物进行分析，探讨司猗纹所表现出来的母性成分的丰富性和多样性，颠覆男性在女性身上所构建的母性神话，认清真实的母性。
The patriarchal society gives “motherhood” the meaning of selflessness, dedication, altruism and purity, and feminism represented by Beauvoir questions the image of this day’s mother, clarifying that motherhood is actually a mixture of narcissism, altruism, sincerity and deception from the actual situation of a large number of women. The reason why the traditional patriarchal society constructs such a glorious mother image is to consolidate and continue the subordinate status of women. Writer Tie Ning created the famous “evil mother” image Si Yiwen in the “Rose Gate” in the history of literature. The characteristics of this role deviated greatly from the traditional mother image. With Beauvoir's feminism as a theoretical weapon, this paper analyzes the character of Si Yiwen, discusses the richness and diversity of the maternal elements shown in Si Yiwen, subverts the myth of motherhood constructed by men on women, and recognizes the real motherhood.