|
刘勰《文心雕龙·乐府》主旨探析
|
Abstract:
《乐府》是《文心雕龙》文体论部分的第二篇,该篇是乐府学研究的首篇专述,对后来的乐府学研究产生了深远的影响。而其主旨可概括为三点,首先刘勰通过论述乐府诗的概念和来源,明确了乐府诗“诗与歌别”的文体独立性;其次刘勰以“诗歌俱正”为批评标准,对汉魏晋三朝乐府诗的不同风貌进行批评;最后刘勰强调了乐府诗“树辞为主”的创作观念。
Yue Fu, as the second section of the stylistic theory expounded in The Literary Mind and the Carving of Dragons, serves as the inaugural monograph on Yue Fu studies, leaving a profound impact on subsequent research in this field. The primary objectives of this treatise can be summarized as follows. Firstly, Liu Xie elucidated the distinct stylistic autonomy that means Distinguishing It From The Traditional Poetry And Song of Yue Fu poetry, through an analysis of its concept and origin. Secondly, Liu Xie critically evaluated the diverse styles of Yue Fu poems during the Han, Wei, and Jin dynasties, employing the criterion of that Both Lyrics And Melodies Should Emanate Elegance. Lastly, Liu Xie underscored the innovative notion of prioritizing lyrics in the composition of Yuefu poetry.
[1] | 吴相洲, 著. 乐府学概论[M]. 北京: 人民文学出版社, 2015. |
[2] | (梁)刘勰. 文心雕龙注: 上下[M]. 范文澜, 注. 北京: 人民文学出版社, 2023. |
[3] | 黄侃. 文心雕龙札记[M]. 上海: 上海古籍出版社, 2006. |
[4] | 吴大顺. “诗与歌别”观念与汉魏六朝诗歌衍变[J]. 中南民族大学学报(人文社会科学版), 2011, 31(2): 149-153. |
[5] | 林杉. 文心雕龙文体论今疏[M]. 呼和浩特: 内蒙古教育出版, 2000. |
[6] | 詹锳. 詹锳全集[M]. 石家庄: 河北教育出版社, 2016. |
[7] | 王真. 汉魏六朝乐府史中的“雅俗之辩”——兼证《乐府》篇[J]. 品位经典, 2020(5): 7-9. |
[8] | 张晶. 《文心雕龙》“赞”的命题意义[J]. 河北师范大学学报(哲学社会科学版), 2023, 46(3): 19-26. |
[9] | (清)冯班. 江苏文库: 钝吟杂录[M]. 李鹏校, 注. 南京: 凤凰出版社, 2020. |