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浅析中国传统漆艺的历史发展脉络与文化价值
Analyzing the Historical Development and Cultural Value of Traditional Chinese Lacquer Art

DOI: 10.12677/arl.2024.132015, PP. 92-98

Keywords: 漆艺,非物质文化遗产,漆器,审美文化
Lacquer Art
, Intangible Cultural Heritage, Lacquerware, Aesthetic Culture

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Abstract:

漆艺作为中国古老的艺术形式之一,其历史可以追溯到新石器时代。漆器的制作不仅展示了精湛的工艺技术,也反映了人们的审美趣味和文化追求。随着社会的发展,漆艺经历了由实用到艺术,再到现代创新的多重转变,不断丰富着人类的文化生活。本文试图通过探讨中国漆艺从古至今的发展历程及其文化内涵,通过具体的历史阶段的漆器实例,展示了漆艺作为一种独特的文化和艺术形式如何随着时间的推移而演变。从新石器时代发现的最早漆器,到汉代漆艺的繁荣,再到唐宋时期的转型,以及明清时期漆艺的辉煌,文章详细考察了漆艺在各个时期的技术革新、审美特征及社会文化意义。同时,探讨了现代漆艺的发展方向,包括现代漆画的兴起和漆艺如何适应现代社会的需求,以及在全球化背景下漆艺文化的传播和交流。本次研究基于漆艺的技术和审美的演变,强调漆艺在中国文化中的重要地位和文化价值。
As one of the ancient art forms in China, lacquer art can be traced back to the Neolithic Age. The production of lacquerware not only demonstrates exquisite craftsmanship, but also reflects people’s aesthetic taste and cultural pursuits. With the development of society, lacquer art has experienced multiple transformations from practicality to art to modern innovation, constantly enriching human cultural life. This article attempts to explore the development process and cultural connotation of Chinese lacquer art from ancient times to the present, and through examples of lacquerware in specific historical stages, to show how lacquer art, as a unique culture and art form, has evolved over time. From the earliest lacquerware discovered in the Neolithic Age, to the prosperity of lacquer art in the Han Dynasty, to the transformation in the Tang and Song dynasties, and the glory of lacquer art in the Ming and Qing dynasties, the article examines in detail the technological innovation, aesthetic characteristics and social culture significance of lacquer art in each period. At the same time, the development direction of modern lacquer art is discussed, including the rise of modern lacquer painting and how lacquer art adapts to the needs of modern society, as well as the spread and exchange of lacquer art culture in the context of globalization. This study is based on the technical and aesthetic evolution of lacquer art, emphasizing the important position and cultural value of lacquer art in Chinese culture.

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