《白鹿原》中的儒家文化
The Confucian Culture of Bai Lu Yuan

乡土文学的代表作《白鹿原》是当代文学史上的重要作品，它展示了中华民族长达半个世纪的变迁。文章从三个角度来分析文本，探究作者在时局的变迁中对儒家文化命运走向的思考。从乡村社会中的儒家文化观念中找寻传统儒学在“和”理念、仁义理念、宗族理念及教育理念等多方面闪光点，从人物形象所代表的儒家文化意义中借鉴儒家文化对“人之为人”的要求，反思其对人性的束缚，从《白鹿原》儒家文化的审视中挖掘其当代内涵，扬弃糟粕、传承精华，这对当今社会弘扬传统文化有着重要意义。
The representative work of local literature, Bai Lu Yuan, is an important novel in the history of contemporary literature. It shows the changes in the Chinese nation over the past half-century. The paper has chosen three perspectives to analyze the text, exploring the author’s reflections on the fate of Confucian culture amid changing circumstances. The analysis seeks to identify the highlights of traditional Confucianism in the “harmony” concept, the concepts of benevolence and righteousness, clan ideology, and educational ideas within the rural society. It also draws lessons from the Confucian cultural significance represented by the characters, reflecting on its demands on “what makes a human” and the constraints on human nature. By examining the Confucian culture in Bai Lu Yuan the study uncovers its contemporary implications, advocating for the abandonment of the dross and the inheritance of the essence, which is of significant importance for promoting traditional culture in modern society.