Lo sublime y lo impensado en la apuesta vanguardista de Miltín 1934 de Juan Emar

in miltín 1934 juan emar unfolds two conceptions of sublime, considering this concept as a stereotyped fact, an art for bourgeoisie consumption, kept within a mimetic and naturalistic aesthetics. emar satirizes this type of art as well as the art-critique that was dominant in the country at the time. his avant-garde proposal endorses an aesthetic of the sublime as a denial of the referential effect, which opens to foucault's unforeseen (yet-not-thought). the aesthetic of miltín 1934 is an attempt of an impossible writing, and an outline for the aesthetics of a fluent unexpected poetic, proposal that emar will fully develop in his posthumous work, umbral.