La representación de la clonación en la ficción cinematográfica: Una aproximación metodológica para un análisis del discurso científico en el cine

in this article an analytical methodology is being tested for a scientific discourse in the cinematographic fiction. in order to experiment with this new heuristic tool, it has been chosen seven movies which contain very different discourses on cloning, a scientific technique that has been subject of media and social controversy as a result of its connection with its human variant. our goal is to determine the representation of cloning that is imposed in every speech, as well as to learn the strategies that legitimize the different points of view regarding this scientific subject which is established on each tape; images always linked to specific interests and in the audiovisual text usually positioned through the characters, gender and the staging, and outside, by other variables linked to the contexts of production and reception of the film.