NO CINEMA COM SAUSSURE E LACAN: O SISTEMA QUE MOVE A LíNGUA E O INCONSCIENTE

This research contributes to the approach that we make between Saussurian linguistics and Lacanian psychoanalysis, with a better understanding of this structure that Lacan claims to be that of the unconscious, and that he even assures to be similar to the structure of language. This work reviews the movie, according to the theories proposed by Saussure (syntagmatic and associative relations) and Lacan (movements of metaphor and metonym). We stress that our analysis tries to infer from the crimes committed by the killer (subject) in the film Seven, by David Fincher, the movements of language, such as slippages, both in terms of linguistics and from the point of view of psychoanalysis.