La barca de los gurúes o un primer esbozo de la teoría del espiral

Julio Cortázar′s poetry entails an important intertextual work and it composes a lyric that is originated in the dialog with the one of the French poet Stéphane Mallarmé as well with John Keat′s lyric of camaleonism.Through this dialog, the Cortazarian Poet acquires an identity with strong philosophical connotations, centered on the outstanding relationships within the literary system: the lyric speaker – the poem – the implicit reader.This essay –a proposal that was borne as a work of Fiction– stipulates the existing fundamental relationship –through Julio Cortázar′s work– of the Mallarmean conceptions of Fiction and Poetry, John Keats′ camaleonic principle and Emmanuel Levinas′ concept of the Other as a visitation.