Música, lenguaje y filosofía; inquietudes de umbral entre Franco Zeffirelli y la Escuela de Frankfurt

In this work I would like to appraoch to essay a concern with some suggested questions in the margins of the Frankfurt School about music, language and philosophy. If possible, I will board that question in those margins, not only on the threshold of thought between W. Benjamin, T. Adorno and H-G. Gadamer, but also on the threshold between philosophy and art, specifically, between the question I enunciate (on the possibilities of musical language) and de putting in speech of it in the script of a film, particularly in the film Callas Forever (2002), by Franco Zeffirelli. The question would be: is music a language? According to this concern, I would board the possibility of another question that I would rather leave open: the language of music is it preserved in its aura, in its spirituality, or in the possibility of an interpretable and infinitely inexhaustible experience?