Jean-Luc Nancy e le arti plurali; Il nesso tra ontologia e estetica

The relationship between aesthetic and ontology in the Jean Luc Nancy’s thoughtThe Nancy’s thought is yet again adherent to the ontological discourse of philosophy. Nonetheless Nancy, as contemporary philosopher and author of a monumental Deconstruction of Christianity, considers the Being as a reticular disposition of the plurality of bodies, as like as an entity between entities. The metaphysical primacy of the Being in respect to the entity is completely overcome from the Being Singular Plural. This primacy was nevertheless obstinately challenged, ab origine, from the Art. The artist however, against every ontological instruction invents some entities which don’t respect the hegemony of the Being, instead they substitute Him, creating ex novo some technical things, some artifices. The artworks, as the technical inventions, don’t resolve themselves in the rules of the classical ontology (we are thinking to the platonic destitution of arts, as mere copies of the ideas), on the contrary, they start a never-ending process of creation that denies the Creator and, at the same time, every principle of an unique and one-shot making. Consequently aesthetics, as the subject that insists on the binomial art/technology, becomes the necessary medium of philosophy in order to understand the multiplicity of the real world (maybe, the most important expression of a post-theological thought). The Nancy’s Ontoaesthetics prepares a completely human plan of the technai.