'El origen del drama barroco alemán' de Walter Benjamin; Consideraciones epistemo-críticas

Origin of the German Tragic Drama (1925) is Walter Benjamin’s Habilitationsschrift but that, not redounding to a post, was, ado, rejected. The present work is in the habit of being characterized as a study corresponding to the field of the theory of the art or the aesthetic critique. Nevertheless, we consider that read in the light of his "Introduction. Epistemo-Critical Prologue" what there finds place is a carrier of an excess: epistemological, political, historical. To these we will seek to direct our questions in order to think around the truth as problem.