Chile es mi segunda patria: Vanguardia heroica y recepción nacionalista

this article examines the relation of constitutive opposition between the nationalism that permeated chilean culture from 1900 to 1930, and huidobro′s heroic avant-garde, with its characteristics of vehement non-conformism, which are present in his aesthetics and manifestos of the period. at the heart of this opposition lies an accelerated process of modernization and change, a process that implies, on one hand, tradition and social integration, and, on the other, everything that is new, from art to film to aviation.